70-200 mm Lenses
A professional Canon 70-200 is ideal for photographing candid portraits, sports, wildlife and anything you don’t want to get too close to. The 70-200 f4 and f2.8 lenses will capture sharp, stunning photos from a distance, allowing you to focus on chosen subjects while cropping out the unwanted elements in your frame.
Canon RF 70-200mm F4L IS USM Lens
Wildlife photography, sports, portraits, travel
Professional L-series
5-stop Image Stabilizer, Dual Nano USM
€ 1,999.99
Free Standard Delivery
In stock online
Canon RF 70-200mm F2.8L IS USM Lens
Portrait, sport, travel
Professional L-series
5-stop IS, Dual Nano USM, Lens Control Ring
€ 3,489.99
Free Standard Delivery
In stock online
Canon EF 70-200mm f/2.8L USM Lens
Wildlife, action, photojournalism
Professional L-series
USM Auto Focus
€ 1,719.99
Permanently unavailable
Canon EF 70-200mm f/2.8L IS III USM Lens
Landscape, Wildlife, Photojournalism
Professional L-series
Image Stabilizer
€ 2,619.99
Free Standard Delivery
In stock online
COMPARISON CHART |
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| Name | Canon RF 70-200mm F4L IS USM | Canon RF 70-200mm F2.8L IS USM | Canon EF 70-200mm f/2.8L USM | Canon EF 70-200mm f/2.8L IS III USM | Canon EF 70-200mm f/4L USM | Canon EF 70-200mm f/4L IS USM |
| IMAGE SIZE | Full Frame | Full Frame | Full Frame | Full Frame | Full Frame | Full Frame |
EQUIVALENT FOCAL LENGTH 
The focal length you would need for a 70-200mm film camera to achieve the same angle of view
|
- | - | - | - | - | - |
| ANGLE OF VIEW (HORIZONTAL, VERTICAL, DIAGONAL)
A way of measuring what you see through the lens. The wider the angle of view, the more you can see in the frame. |
29° - 10°, 19°30' - 7°, 34° - 12° | 29° - 10°, 19°30' - 7°, 34° - 12° | 29° - 10°, 19°30' - 7°, 34° - 12° | 29° - 10°, 19°30' - 7°, 34° - 12° | 29° - 10°, 19°30' - 7°, 34° - 12° | 29° - 10°, 19°30' - 7°, 34° - 12° |
| LENS CONSTRUCTION (ELEMENTS/GROUPS)
Elements: Glass pieces within the lens module itself
Groups: One or more elements closely connected to achieve a specific task in the optical design |
16/11 | 17/13 | 18/15 | 23/19 | 16/13 | 20/15 |
| NUMBER OF DIAPHRAGM BLADES
The more blades a diaphragm has, the more circular the shape of the aperture as it closes. The shape of the blades also determines circular aperture. The more circular the aperture, the more circular the out-of-focus details in the image (bokeh) will be. |
9 | 9 | 8 | 8 | 8 | 8 |
| MINIMUM APERTURE
The smallest you can make the aperture to still get light to the camera |
32 | 32 | 32 | 32 | 32 | 32 |
| MINIMUM FOCUS DISTANCE (METER)
This is the closest the lens can get to your subject before it cannot focus, measured from the subject to the sensor plane |
0.6 | 0.70 | 1.5 | 1.2 | 1.2 | 1.2 |
| MAXIMUM MAGNIFICATION (X)
How big an object will look in a final image, with 1x meaning life-size reproduction on the sensor, which when enlarged will show very high detail |
0.28 | 0.23 | 0.16 (at 200mm) | 0.21 (at 200mm) | 0.21 (at 200mm) | 0.21 (at 200mm) |
| DISTANCE INFORMATION | Yes | Yes | Yes | Yes | Yes | Yes |
| IMAGE STABILISATION
Counteracts camera shake, allowing for a sharper image |
5 | 5 | - | 3.5 | - | 3.0 |
| AF (AUTO-FOCUS) ACTUATOR
Automatically focuses the lens on a subject. This uses various methods like STM, USM. |
Dual Nano USM | Dual Nano USM1 | Ring USM3 | Ring USM3 | Ring USM3 | Ring USM3 |
| DUST/MOISTURE RESISTANCE | Yes | Yes | - | Yes | - | Yes |
| FILTER DIAMETER (MM) | 77 | 77 | 77 | 77 | 67 | 67 |
| MAX. DIAMETER X LENGTH (MM) | 83.5 x 1193 | 89.9 x 146 | 84.6 x 193.6 | 88.8 x 199 | 76 x 172 | 76 x 172 |
| WEIGHT (G) | 695 g | 1070 g | 1310 g | 1480 g | 705 g | 760 g |
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